"As we reach an increasingly digital age, the fate of the print media leaves little to the imagination. But yet, in 2013, the art of the photobook continues to thrive, breaking through the traditional boundaries to support and push the limits of the photographic medium."
"People talk about photography being a universal language but really it’s not; it’s multiple languages. The dialogues you can have with neuroscientists about photographic images are as interesting and as provocative as the dialogues you can have with artists. People have wildly different contexts in which they use photographs — different criteria for assessing them, reasons for taking them, priorities when looking at and evaluating them. It creates incredible possibilities for dialogue when you realize the medium is so flexible and so useful"
"Stephen Wilkes is not about that single moment, not exactly. He is, rather, a collector of moments, staking out a location until he has hoovered up enough of them to tell the story of a single place."
“Libération vows an eternal gratitude to photography, whether produced by photojournalists, fashion photographers, portraitists, or conceptual artists. Our passion for photography has never been questioned - not because it’s used to beautify, shock or illustrate, but because photography takes the pulse of our world. To choose Paris Photo’s opening day to “install’ these white images highlights our commitment to photography. It’s not a wake, we’re not burying the photographic art […] Instead we give photography the homage it deserves. Yet, no one can ignore the calamitous situation press photographers now find themselves in, especially war photographers who risk their lives while barely making a living. And for those whose work went on show today in the Grand Palais thanks to shrewd gallery owners, we might think that the odds are in their favour, but it’s all smoke and mirrors: the art photography market is currently confused.”